71.425 Jazz Theory
Course Information and Standards

- Class meeting time/place
- MWF 11AM, DR309
- Instructor
- Stuart Smith
- Office
- Durgin 422
- Office Hours
- By appointment
- Telephone
- (978) 934-3616
- E-mail
- stu@cs.uml.edu
Course Description
This course covers jazz notation, the basic harmonic vocabulary of
jazz, chord progressions, chord voicings, voice-leading, harmonization
of melodies, chord-scale theory, functional harmony, jazz rhythm, and
jazz form. Regular assignments will include writing, analyzing, and
performing arrangements of standard melodies and original tunes. Use
of music notation software such as Sibelius and Finale
is required for assignments. Music majors only. 3 credit
hours. Prerequisite: 71.202.
Required Course Materials
- Stuart Smith. Jazz Theory - Revised Edition.
- 12-staff music paper
- No. 2 pencils
- eraser
- notebook and binder
Expected Course Outcomes
This course is intended to complement the knowledge and skills gained
in Music Theory 1 through 4. Students will learn the specific harmonic
and melodic languages used in jazz (and in much popular music) and
will be able to apply this knowledge in practical situations. Upon
successfully completing this course, students will be able to
interpret (realize) the chord symbol notation found in lead sheets,
analyze (and, where necessary, correct) lead sheet chords, write
simple keyboard and instrumental arrangements of jazz and pop melodies
in appropriate styles, write and improvise simple melodic lines over
common chord progressions, and compose a pop tune in one of the
standard forms.
Assignments
Regular assignments will include readings in the course textbook,
written exercises, and composing or arranging projects. Unless
specifically allowed by the instructor, all assignments must be
submitted in printed form as produced by the music notation software
in the Music Technology Lab or the equivalent. Scores and parts
submitted for assignments must conform to the layout standards
described in class and in the course handouts.
All assignments are due no later than the class meeting set by the
instructor. Assignments submitted after this class will immediately
lose one full letter grade, and will continue to lose a full letter
grade for each class meeting beyond the due date, starting from the
grade they would have received had they been handed in on time.
Handwritten and improperly formatted scores and parts will not be
accepted. No assignments will be accepted after the final class
meeting of the semester.
Tests and Grading
Each student's final grade in this course will be the average of the
grades received for (1) the homework assignments and quizes (50%), (2)
the midterm exam (25%), and (3) the final exam or project (25%). A
grade of "Incomplete" will be granted only under the conditions
described in the current Undergraduate Catalog. Make-up
assignments and make-up exams, including the final exam, will not be
provided.
Academic Dishonesty
Unless specifically stated otherwise by the instructor, all work in
this course is to be each student's own. Students should therefore be
familiar with the University's rules on academic dishonesty.
Course Outline
- The Structure of Jazz
- Rhythmic structure and rhythmic interpretation
- Standard jazz forms
- The Harmonic Vocabulary of Jazz
- Standard chord notation
- Basic chord types
- Tensions
- Roman numeral chord notation
- Jazz Melody
- Developing a Bass Line
- Standard Chord Progressions
- Jazz approach to the blues
- Traditional/Rock approach to the blues
- "Rhythm" changes
- Chord Voicings
- Solo keyboard voicings
- "Rootless" chords
- Instrumental voicings
- Voice Leading
- Standard voice leading techniques
- Voice leading with rootless chords
- Parallel voice leading techniques
- Scoring for small jazz ensembles
- Functional Harmony in Jazz
- The circle of fifths
- Strong/weak alternation of chords
- Tritone substitution
- Voice-leading (linear) chords
- Secondary functions and tonicization
- Borrowed chords (modal interchange)
- Modulation
- Chord-scale theory
- Choice of scales for given harmonies
- Treatment of "non-chord" tones
- "Outside" playing
- Other Systems
Last updated 2 July 2007
stu@cs.uml.edu

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