76.148 Ensemble Performance 2
Course Information and Standards

- Class meeting time/place
- TBD
- Instructor
- TBD
- Office hours
- TBD
Course Description
Ensemble Performance 2 is an introduction to the fundamentals of the
jazz idiom, jazz theory, and jazz improvisation. Topics include
correct interpretation of jazz rhythm and articulation, basic jazz
theory, and the development of improvised melodies. Students will
play in small ensembles, or "combos", in this course. Students are
expected to have at least an intermediate level of skill on their
instruments at the time they begin this course. Prerequisite: 76.147.
Credit: 2.0.
Goals and Objectives
Upon successful completion of this course, the student will be able to
- sight-read a lead sheet with correct interpretation of jazz rhythm
and articulation
- improvise a melody on the entire form of a typical jazz piece using
the specific techniques presented by the instructor
- provide an appropriate and idiomatic accompaniment ("comping") for
the pieces selected by the instructor
- function satisfactorily as a member of a combo in the roles of soloist and
member of a rhythm section
Required Textbook(s)
Because the teaching of improvisation is still something of an art,
the individual instructor must be given some lattitude in the choice
of methods and materials. Five suggested texts are listed below. The
course outline given here is based on the LaPorta method.
- Shelton Berg. The Goal Note Method for Jazz Improvisation.
Delevan, NY: Kendor Music Inc.
- Jerry Bergonzi. Inside Improvisation., Vols. 1-5. Rottenburg
(Germany): Advance Music.
- Hal Crook. How to Improvise. Rottenburg (Germany): Advance
Music, 1999.
- John LaPorta. A Guide to Jazz Improvisation. Boston: Berklee
Press, 2000.
- Mark Levine. The Jazz Theory Book. Sher Publishing Co.
Required Course Materials
- 12-staff spiral bound music notebook
- No. 2 pencils
Course Outline
The following topics illustrate one possible overall organization of
the course. Each class meeting will have rhythm and performance
training exercises, dictation exercises, and ensemble performances of
appropriate compositions. There may also be a written assignment based
on the theoretical concepts discussed during each meeting. Each week's
homework will always include preparation of the piece(s) to be played
during the next class meeting.
- Week 1: Divide into combos. Learn Bb pentatonic scale, jazz
legato-staccato attack, and correct interpretation of swinging 8th
notes.
- Week 2: Rehearse. Learn correct interpretation of jazz
staccato quarter and half notes.
- Week 3: Rehearse. Learn blue notes for Bb and study techniques
for evolving rhythms for solos.
- Week 4: Rehearse. Learn F pentatonic scale with blue notes and
correct interpretation of jazz "smear". Study techniques for evolving
melodies for solos,
- Week 5: Rehearse. Study strong- and weak-beat accents, and
rhythmic displacement (anticipation).
- Week 6: Rehearse. Continue study of jazz accents and introduce
delayed attack.
- Week 7: Rehearse. Learn Eb pentatonic scale with blue notes.
- Week 8: Mid-term exam. Play prepared piece(s) with improvised
solos in Bb, F, and Eb.
- Week 9: Rehearse. Study melodic extension techniques for solos
and varied accents.
- Week 10. Rehearse. Study varied melodic extension techniques
for solos.
- Week 11: Rehearse. Study the combination of scale centers for
solos.
- Week 12: Rehearse. Learn C pentatonic scale with blue notes
and blues guide tones.
- Week 13: Dress rehearsal for final exam.
- Week 14: Final exam (in-class performance, open only to class).
The amount of time actually spent on each topic will depend on the class'
rate of progress in mastering the individual skills.
Grading Policy
Grades in this course are determined primarily by attendance and by
the level of participation in the ensemble's activities. The grades
awarded to each ensemble for its performances will be included in the
computation of the final grade awarded to each student in the
ensemble. Grades for any written homework, quizzes, and tests on
material covered in the course will also be included in the
computation of the final grade.
Attendance Policy
Regular attendance is essential to the success of the ensemble. To be
considered "present", the student must have all required books and
scores, and his/her instrument together with all necessary equipment
(amplifier, cables, etc.) in working order. Each unexcused absence
will result in the loss of a full letter grade from the final
grade.